Showing posts with label Rome TV Show. Show all posts
Showing posts with label Rome TV Show. Show all posts

Saturday, October 10, 2009

He, Clavdivs.

I spent this morning watching the first four parts (or so) of the great I, Claudius. Robert Graves once said that he disliked how popular the book and TV show had become, and even claimed that he wrote it for money and to a publisher's deadline for a book. Nevertheless, I think it's cracking, and lots of others do too.

I've decided against criticising it's historical veracity - it plays loose with the history, but I believe it's such a great work of fiction (based, of course, on real enough events) that sticking to the history is not the be all and end all. Instead I'm just putting some thoughts and reflections into this post.

The show is narrated by an elderly Claudius who decides to tell the story of his family (and by gum, it's one huge extended and complicated family the man has - as one glance at a full Julio-Claudian family tree will tell you). Thus, the series begins 6 or so years after the Battle of Actium (putting it around 25 or 24 B.C.E) and with each episode it jumps a quite a few years. The final episode I watched today closed with the death of Augustus (in 14 C.E) meaning it has covered some 39 years in a mere 4 episodes.

The historical skeleton Graves used to pin his story onto was already juicy enough (he bases the story on Tacitus and the famous gossip Suetonius) - the family drama of the Julio-Claudians in this period was really great stuff - full of intrigue, jealousy, bad luck and even a bit of murder (maybe). The greatest thing about Graves' story is that it brings to life an immensely complicated and important period of Roman history - one can believe in the characters, and get a real flavour for their family dramas.

The scheming of Livia (exaggerated but really compelling viewing!) and the trials of Augustus' search for a successor (everyone keeps getting murdered by Livia!) let alone the various pressures of being part of the Imperial family on it's many members, who are variously seen having all sorts of problems. The focus is the Imperial family, not political movings and shakings (although, they of course, are what the Imperial family was all about).

The direction, writing and acting are all top notch (getting a glimpse of a personal hero of mine - Patrick Stewart - as Sejanus was a particular high point for me) and I must concede that I adore the TV show - and it really, really stands the test of time. It's some 33 years old now, but barely shows it.

Derek Jacobi is in scene stealing form as Claudius, cerebral palsy (the modern consensus is) and all. The characterisation of Claudius by Graves and Jacobi's personification of that character make the whole show work. Graves reads into the history and we're all the better for it. We can get a feeling for the motivations and the emotions of these historical figures, and while they may not be true, such conjecture can help bring the ancient world to life in a way that is often difficult for us to grasp.

When the more recent series Rome appeared on TV screens a few years ago, many folks in the media billed it as natural successor to I, Claudius. In many respects, I think that's quite true. Rome boasts a huge budget and lavish sets, while I, Claudius was filmed mainly on indoor stages, but the quality of both is exceptionally high. The focus of Rome was the Julio-Claudians in their infancy, and we are connected to the history via two plebeian soldiers. In I, Claudius the rank and file get little mention, and the focus remains the Imperial family - I think this shift in interest reflects changes in scholarship in the 70 or so years between the writing of Graves' book and the production of Rome.

The greatest strength that both shows share is that they animate Roman history and bring it's characters to life. We can see Caesar at the Rubicon, Octavian triumph over Mark Antony, Augustus weep when his adopted sons Gaius and Lucius both die young and witness the temperament of Tiberius - how sympathetic yet unlikeable he is. We cannot get this from the ancient historians to the same extent, and that is where historical fiction (of really good quality) comes into it's own.

Funnily enough, I think the best works of historical fiction are also the best researched ones, and often those rooted in real events are the most exciting. I suppose this is an indicator of just how fascinating ancient history is and how complex her famous figures were. I, Claudius illustrates this perfectly.

Monday, August 24, 2009

Marcus Vipsanius Agrippa, Where Art Thou?

I've recently been watching the HBO/BBC TV series ROME (perhaps for the 6th or 7th time, I must admit), and as I mentioned in my "future plans" post, I intended to discuss the portrayal of Marcus Agrippa and how he differs from the historical Agrippa. Therefore, that is the topic I will discuss today.

I should preface this by saying I very much like Rome. I think it's a well written show, with excellent acting, dialogue and set design. Generally the departure from historical fact does not bother me whatsoever, as I can understand why it's done. One such exception is with the character of Agrippa (played by the Irish actor Allen Leech). My plan here is to list the differences between the character in the TV show and the historical Agrippa (as much as one exists), and then discuss why the writers chose to depict Agrippa as they did.

SO...the differences! There are a great number. First of all, let's consider Agrippa's family. In the TV show both Agrippa and Octavian make mention of his "low plebeian" status. It is conjectured (realistically, I believe) that Agrippa's father was a certain Lucius Vipsanius Agrippa, and that they were a family of Equestrian rank.

There is a rather strong focus on Agrippa's low status, as it's used on several occasions to drive forward the narrative. My personal feelings are that it's overemphasised, in order to support the characterisation of Agrippa as a "loyal Lieutenant" and not much else. Plebeian he may be, but he was to ascend to the highest ranks of Roman public life, and he was after all, of sufficient birth to be educated alongside Octavian (which is how they became friends).

Further to this, there is no mention of Agrippa's marriage to Caecilia Pomponia Attica (daughter of Cicero's friend, Atticus) in the early 30s (very much in the shows timeline), and as an offshoot of this there is, of course, no mention of their child born soon after the wedding (Vipsania Agrippina). In the show Agrippa is very much unmarried throughout.

Somewhat related is an affair, depicted in the TV show, between Agrippa and Octavian's sister, Octavia. This is entirely fictional, and serves only as a dramatic device in the show. Although the love affair is finished by Agrippa after Octavian finds out (an example of his being the ultimate Loyal Lieutenant), there are hints that their feelings continue throughout the 30s B.C.E, and again there is no single mention of that fact that the historical Agrippa was both married and a father.

On the topic of his public life, the show, again, fails to mention almost anything. He remains the loyal lieutenant of Octavian, but seems to hold no public office himself. The historical Agrippa entered the Senate as a Tribune of the Plebs (perhaps 43.B.C.E), and served both as Consul (37.B.C.E) and Aedile (33.B.C.E) during the timeline represented by the show, but he is not shown to explicitly hold any of these offices.

On the topic of his character and his abilities, again the character of the TV show differs greatly from the historical Agrippa. It's a well documented fact that Agrippa was an excellent General, and it was through his leadership that Octavian and his armies could establish sole control over Rome. At Mutina, and more specifically Actium, it is Agrippa's military genius that won the day. In the show, he is seen briefly at Mutina, and he's nowhere near Actium (the only mention of him is by a newsreader in Rome reporting the battle).

Agrippa as a great General is barely seen in the TV show, and one must ponder why (more on this later). A few fleeting mentions to his celebrated military talents are all he gets.

The difference in character is perhaps the most striking thing of all, however. The historical Agrippa, through virtue of his accomplishments, was a commanding General, respected and forceful magistrate and strong leader. The Agrippa on the TV show, is rather meek, somewhat bumbling, a little insecure and nothing more than a loyal servant of Octavian. It's also difficult to escape the notion that he's also a little "boyish", in both manner and appearance.

On the topic of the later, Allen Leech does not strike the same robust figure that the busts of Agrippa suggest that he was. While this is not necessarily a hindrance (James Purefoy is not the bull-like man Antony is said to have been, but he plays the role superbly), in combination with the meekness of the portrayal, it's hard to ever believe that the character is Agrippa.

Given the legion of differences, I now ask the question: why?

The matter of Agrippa's family is perhaps the easiest to answer. The series omits many historical figures for the sake of simplicity and smoothness of narrative (Crassus, although dead when the series begins, is never mentioned, Octavia's husband Claudius Marcellus, and their three children, are never never seen, Brutus' wives are never seen - Claudia Pulchra, nor Porcia Catonis, and these are just some of the many historical figures not in the show).

Given the immense complexity of Roman families, allegiances, marriages and so on, it's quite reasonable to expect, for the sake of a cohesive story, that many of them will never appear. Agrippa's family is never mentioned primarily because they were considered "extra". They do not serve the storyline and would therefore just confuse matters, and so they were omitted.

The affair with Octavia was invented for similar reasons, I think. This time is does serve the story (it's dramatic and when Octavian finds out it helps give him leverage in forcing Mark Antony to leave Rome, for Octavia was his wife and she was cheating on him with a "low born Pleb").

As regards Agrippa's public career, his offices are never mentioned for a few reasons. The foremost is that Agrippa plays the role of Lieutenant, and in most cases he's simply an advisor to Octavian, in that respect the character needs no office of his own, for he's not the focus. In most ways it doesn't matter what office Agrippa holds, for his role in the TV show remains the same.

Further to this, is that the second season (the timeline when Agrippa would hold the offices of Tribune of the Plebs, Consul and Aedile) plays thick and fast with history - the many events of the early 30s and squashed or skimmed over somewhat, and so Agrippa's consulship and activities of this time are given short thrift.

The character's lack of great military abilities can also be partly explained in this way. Many of Agrippa's achievements are not mentioned in the show - it basically goes from Caesar's murder, through Philippi and then jumps very much to the later 30s and the struggle between Octavian and Antony near it's conclusion. Agrippa's defeat of Sextus Pompeius in the seas around Italy, as well as his time fighting the Germanic tribes while Governor of Transalpine Gaul are never mentioned - and so there is no opportunity to focus on his military acumen, other than brief mentions after Mutina and Actium (which are relegated from importance because the series cares more for Octavian/Antony and their power struggle than what the "Loyal Lieutenant" Agrippa is up to.

Related to this is why he's depicted as a somewhat meek and bumbling character. Without need for focus on his military achievements, but unable to really remove him from the picture, what role can Agrippa really play? The only answer is really that of advisor, and so immediately he's relegated from the status of the historical Agrippa. Again, though, why so meek? I have a few ideas, but it's still not especially obvious.

Perhaps most obviously, he plays a lover to Octavia, and his bumbling "I would tear down the skies if you asked me to" act allows a certain amount of sympathy to be felt for him, and as a consequence the love affair. He is acutely aware of his lower status throughout the relationship, and this is brought to the fore when it's used to coerce Mark Antony into leaving Rome. In essence, he plays a character who knows his social position and has no ideas beyond his station.

Another idea I've considered is that the character was designed to play foil to Gaius Maecenas, as they both advise Octavian (Maecenas being the darker, more inclined to lies style of advisor and Agrippa the excessively loyal and honest type). I'm not sure how much mileage this idea has, but I think it's valid enough.

After discussing it with my girlfriend a little, she made the interesting observation that Agrippa is required to fill the role as the only "purely nice and honest" character in the show. This may be a case when the most obvious solution is the best one, and as a mode for explaining the very different Agrippa it works very well.

Overall, I think his meekness is a result of his role in the show (a fiercely loyal and honest Lieutenant, not equal to Octavian) and the need for him to be a sympathetic character in both his love for Octavia (a women well above his social status, and he knows it) and his contrast to the more nefariously depicted Maecenas as advisor(s) to Octavian.

It's worth at this point conceding that the creator of the show (Bruno Heller) never intended the show to be 100% historically accurate, but that the aim was to show:

"Much more about how the psychology of the characters affects history rather than simply following the history as we know it".

In this respect, Agrippa is merely a facet of this. He is changed so considerably so that the character's psychology may fit the requirements of the narrative. To me, the change is so drastic, and it's perhaps simply a result of there being too many other psychologies driving the show forward, and so Marcus Vipsanius Agrippa was changed so that his could fit in somewhere.

The show's historical advisor, Johnathan Stamp, adds that the series was more about "authenticity" than "accuracy", but I think in the case of Agrippa especially neither category is fulfilled. The character is definitely not an accurate portrayal of the historical Agrippa, but accuracy has not been sacrificed and authenticity retained, for there is nothing authentic about the character of Agrippa in the show - he's almost pure creation.

I should say that I'm not altogether annoyed by the character of Agrippa in the show (historical accuracy does not always need to be the primary aim of such shows), but simply that I find the vast difference between the character and the historical figure to be curious, and so I was interested in exploring those differences and the reasons for them. In actual fact, I rather like Allen Leech as an actor, and the role of the "new" Agrippa is actually rather likeable in most ways.

I also think it's wise to realise that this small analysis is tainted by the notion that it's impossible to know the "real" Agrippa anyway, and that perhaps commenting on his character is a false enterprise from the off. Nevertheless, I think the historical Agrippa we can infer, grasp or leap at is so substantially different form the character of the TV show, that this endeavour remains thoroughly worth it.

In summing up, I think all I can say is that the driving force behind writing this article was the feeling that the character Agrippa is just not Agrippa. One conjures an image of all classical figures that is quite unique (the Caesar in my mind may be different from the one in in yours, and this in turn is hugely important in the "reception" of historical figures), and so my Agrippa, based on my studies of him and the period more generally, mixed with my own imagination, leads me to believe nothing but the conclusion that "this" Agrippa is an imposter.

Monday, July 20, 2009

Future plans.

My head is currently full of thoughts for what to post here, so much so that I've decided to make a post (both to serve my own memory and to act as a signpost) that covers some of the things I'd like to write about in the future.

1 - I'm currently reading a book on ancient technology, which I find very interesting. I've been meaning to read something on the topic for a while and now I've got round to it. I feel a little out of my depth commenting on the scholarly side of the work (although I may well try anyway), and so my focus will be a more general review of the book and some other thoughts. I expect to post this in the next week.

2 - I would like to re-watch Kubrick's "Spartacus" and comment on it's historical veracity, characterisations and any other issues arising from the viewing. I'm interested in making this blog varied, and so don't want to stagnate with purely reviews of books.

3 - On a related note, I'd also like to choose a character from HBO's excellent "Rome" TV series and comment on the historical deviations and characterisation. At the moment I'm leaning towards Marcus Vipsanius Agrippa, as the Agrippa in the show differs greatly from the Agrippa of record.

4 - I'm very much aware that most of my focus so far has been on Roman history, especially the late Republic and early Empire, and so I'd like to incorporate some other periods/areas into my writing. The obvious one is to include something Greek, which I certainly plan to do, and also to visit the end of the Roman Empire, for which Adrian Goldsworthy has kindly released a book on very recently.

5 - I'm considering re-working some of the essays used during my Masters, especially with an eye to "upgrading" them. The topics were disparate, and so I think they could be interesting.

6 - I would like to read more classical authors. I've read much of the classical corpus at some point or another, but never with a mind to write something afterwards. I currently live over 1000 miles from by book collection, and so this point may need to wait until November when I can retrieve some of those books.

7 - Finally, I am in Rome from next week, and shall be taking photographs and notes, which I intend to add to this page.

These, then, are my plans. Hopefully all will bear fruit. Note, entries in italics have been completed in some form.